4 h 57 minAudiobook15 minSummaryRead it, hear it, the 15-minute summary, and print and large print at costPaperback · 6 × 9 in · printing soonHardcover · 6 × 9 in · printing soonAbout this book
What if the evil you fear is invisible—and you can no longer trust your own mind?
In The Horla, Guy de Maupassant brings together invisible evil, paranoia, and the terrifying collapse of the human mind. This French Gothic horror story turns fear inward, toward the fragile boundary between what feels real and what the mind can trust.
The horror rests on a disturbing uncertainty: how do you face a threat you cannot see? Paranoia makes that question more frightening. The Horla invites you into a world where the unseen and the workings of the mind become sources of dread.
What you’ll discover
- Fear without a face Encounter the unsettling idea of evil that remains beyond sight.
- The grip of paranoia Explore horror rooted in suspicion and the loss of inner certainty.
- A mind under threat Confront the terror of a human mind losing its hold.
- French Gothic dread Enter Maupassant’s Gothic world of invisible evil and deepening mental fear.
- An unsettling central question Consider what remains trustworthy when fear reaches into the mind itself.
Who will love it
For readers who love French Gothic horror, invisible evil, and stories of paranoia and the terrifying collapse of the human mind.
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The Horla
by Guy de Maupassant · 1886
Invisible evil and paranoia threaten the human mind in a French Gothic horror story.
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The author
Guy de Maupassant
1850–1893 · French novelist and story writer
Guy de Maupassant was a French writer born in Normandy in 1850. He wrote short stories and novels, including A Woman’s Life (1883), Bel-Ami (1885), The Horla (1887), and Pierre and Jean (1888). He lived in France, worked as a government clerk in Paris, and died in Paris in 1893.
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