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Telling Fortunes by Cards, the cover of this edition

Summary

Summary of Telling Fortunes by Cards

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Key ideas

Telling Fortunes by Cards · Mohammed Ali1 of 8
  1. Key idea 1

    A craft without a promise

    Telling Fortunes by Cards gathers card meanings, ways of laying out a deck, and sample readings into a practical guide. Mohammed Ali presents himself as an editor, bringing together older writers and inherited practices rather than claiming that cards truly reveal the future.

    The aim is to show how the craft works: preparing cards, dealing them, reading their relationships, and turning them into friendly talk. Its setting includes parties and charity bazaars, where ancient belief becomes a form of amusement.

  2. Key idea 2

    A prophecy opens the tradition

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  3. Key idea 3

    The deck needs a clear orientation

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  4. Key idea 4

    The ancient oracle supplies a vocabulary

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  5. Key idea 5

    New meanings change with nearby cards

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  6. Key idea 6

    The favored oracle expands each meaning

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  7. Key idea 7

    Separate cards become a spoken reading

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  8. Key idea 8

    The tradition remains open to judgment

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Who it’s for

Readers who enjoy folklore, parlor games and old customs, hobbyists curious about how a card reading is built, and anyone who likes to entertain friends with a deck, a little patter and a sense of mystery.

What this book is

Telling Fortunes by Cards is a practical manual of cartomancy, the art of reading the past and the future from playing cards. It is credited to Mohammed Ali, who presents himself as an editor. He gathers the methods of older writers, the lore passed down from the Romany Gypsies, and the practice of seeresses who came before them. The book offers lists of card meanings, many ways of laying out the deck, and sample readings spoken aloud just as a fortune teller would speak them.

It opens by noting that in its own day the art serves mostly as amusement at parties, church fairs and charity bazaars, while ancient seers took it as serious business. The editor does not claim that the cards truly foretell anything. He sets out what practitioners believed and leaves you to decide how much faith to place in it. What you gain is a working knowledge of the craft: how to prepare a deck, what each card is said to mean, how to deal and count, and how to turn a row of cards into a smooth, friendly patter. Let us begin with the story that opens the book and the attitude behind it.

In this summary

  1. 1Cartomancy blends old belief with parlor playFree
  2. 2Prepare the deck and choose a Consultant
  3. 3The ancient oracle uses all fifty-two cards
  4. 4Modern readings shift the meaning of the suits
  5. 5The thirty-two card oracle is the favored method
  6. 6Deal, count, pair, then weave a reading

Key point 1 of 6

Cartomancy blends old belief with parlor play

The book begins with a story about Josephine Tascher de la Pagerie. In her native Martinique, an elderly woman tells her that she will ascend to the loftiest throne in the world. Years later, as the widow of General Beauharnais during the Reign of Terror, she visits a seeress in the Faubourg St. Germain, disguised as a waiting woman. The seeress reads her past from a simple deck and describes the prison of the Luxembourg and the guillotine waiting for her.

The seeress adds that a young soldier, unknown to Josephine, will save her from these dangers. She says Josephine will marry him, that he will rise to fame and power, and that in Notre Dame Cathedral he will place an imperial crown on her head. The book says these predictions came true with remarkable speed. Crowds of courtiers marvelled at them, and scientists who visited the seeress reported to the Emperor that they could not explain her knowledge but could not reasonably doubt it.

The editor then explains his purpose. He brings together the best-authenticated methods of divination by cards, said to come down from the Romany Gypsies and the seeresses before them. Because nations and eras disagreed on the values of the cards, on the layouts, and on the combinations, he offers a full symposium of them all. Students may then compare the approved methods and choose the one they like best or find most convenient.

His stance is careful. The old authors insist that the cards give a truthful account of past and future, and he neither challenges nor endorses that claim. He calls himself an editor and nothing more. He adds that no seer has ever called the art a natural gift. It comes from study and practice, so you should read every word, try your own fortune first, and read friends only after you know many meanings and can deliver the talk that goes with a good reading.

That’s 1 of 6 key points.

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Check yourself

Check yourself · Telling Fortunes by Cards1 of 3

What position does the editor take on claims that cards reveal the past and future?

Questions about Telling Fortunes by Cards

What is Telling Fortunes by Cards about?

It is a manual of cartomancy. It explains how to prepare a deck, what each card is said to mean, many ways to deal and count the cards, and how to turn a layout into a spoken reading.

What is cartomancy?

Cartomancy is the art of foretelling the past and future from playing cards. The book treats it as both an ancient practice taken seriously by old seers and a lively pastime for parties, fairs and bazaars today.

Which cards does the book use for the preferred method?

The preferred oracle uses thirty-two cards, which means eight from each suit, from the ace down to the seven. A Consultant card is often added to stand for the person asking the questions.

Does the author claim the predictions are true?

The editor says old authors insist the cards can be relied on, but he neither challenges nor endorses that view. He presents their methods and lets readers place as much or as little faith in them as they like.

Is Telling Fortunes by Cards easy to follow?

The book is organized as a handbook with clear steps, lists of meanings, worked examples and a sample spoken reading. You can start with a simple deal and add methods as you learn the card meanings.