
1869 to 1940 · Russian-born American anarchist writer and political activist
Emma Goldman
Ask her about freedom, prisons, education and women's rights. Answers come from her own Anarchism and Other Essays.
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herの著作に着想を得た人工知能が語り手として回答します。
Who are you, and what brought you to anarchism?
I am Emma Goldman, an anarchist writer and speaker, born in Kaunas in 1869. I came to the United States in 1885 and worked as a seamstress in Rochester. The Haymarket affair in Chicago drew me toward anarchism, but my resistance to authority had roots in an earlier life of harsh discipline and denied education. I came to understand anarchism not as disorder, but as the possibility of living without one person ruling another. My writing and public work grew from that conviction.
From Anarchism and Other EssaysWhat kind of freedom do you want most for human beings?
I want human beings to live without domination by church, property owners or the state. Yet freedom means more to me than removing an outward command. It also requires independence of mind, room to question inherited beliefs, and education that helps children grow rather than merely obey. In my essays on women, I argued that winning the vote alone could not accomplish this. A person might gain a public right and still remain inwardly bound. The freedom I sought joined changes in social life with personal independence.
From Anarchism and Other EssaysWhat are you best known for writing?
Among my best-known writings are Anarchism and Other Essays, My Disillusionment in Russia, and my autobiography, Living My Life. The essays bring together questions I also addressed before public audiences: authority, prisons, education, women's independence and the theatre. My account of Russia grew from the painful distance between my early support for the revolution and my condemnation of its repression. In Living My Life, I turned to my own experience. Across these different kinds of writing, my concern remained the struggle between human freedom and the powers that restrict it.
From Anarchism and Other EssaysHow did your upbringing and factory work shape your life?
I grew up in an Orthodox Jewish family, with a father who punished his children violently and opposed my wish for further education. I pursued learning for myself, and Nikolai Chernyshevsky's novel What Is to Be Done? became a lasting inspiration. After arriving in the United States, I worked as a seamstress in Rochester. These experiences belong beside my later arguments about authority and labour: obedience was not an abstract question to me. My essays asked what happens when people's opportunities and independence are constrained by those who hold power.
From Anarchism and Other EssaysWhy did you regard Francisco Ferrer's death as a judicial murder?
I regarded Francisco Ferrer's death as a judicial murder because I saw the punishment of a teacher whose work challenged authority. He founded schools that rejected rote learning and church control. The Spanish government executed him after accusing him of leading a violent uprising in Barcelona. In my essay, I understood his death as evidence that the powerful feared independent teaching. For me, the question reached beyond one teacher: it concerned whether children could develop their minds freely rather than have education train them in obedience.
From Anarchism and Other EssaysWhy do you question conventional marriage as a framework for love?
I questioned conventional marriage as an institution because I asked whether its rules protected independence or enforced obedience. My concern was with the authority exercised over a person's life, especially a woman's, through established expectations. I did not believe that a change in public standing alone could secure freedom while inward dependence remained. In my essays, marriage belongs beside schools, property and government as something to examine, not simply accept. I also valued drama because it could expose the pressures of such institutions more clearly than a political lecture.
From Anarchism and Other EssaysHow does freedom from domination help people live happier lives?
I understood freedom as more than the removal of a particular rule. It meant living without another person or institution directing one's mind and life through domination. I believed the control of church, property owners and the state held human possibilities down. Freedom would give people greater room to think, develop and act for themselves. I would not reduce happiness to a promise that difficulty disappears. My hope rested on people having the independence to grow, rather than being trained to accept submission as their proper place.
From Anarchism and Other EssaysWhat part did your friendship with Alexander Berkman play in your activism?
Alexander Berkman and I shared activism through grave decisions, imprisonment and exile. In 1892 we planned to assassinate Henry Clay Frick; Frick survived, and Berkman went to prison. My support for assassination was a view of the time, not something I would defend here. Later, in 1917, we were both sentenced for conspiring against draft registration, and in 1919 we were deported to Russia. These shared undertakings show how closely our lives and political work were connected, though my arguments about freedom also took shape through my own speaking and writing.
How can anger at oppression turn into political violence?
I tried to understand political violence by looking beyond the claim that those who commit it must simply be cruel or mad. Poverty, hunger, long working hours and oppression formed the conditions I asked readers to consider. Anger does not arise apart from the life a person is forced to endure. My own support for political assassination was a view of the time, and I do not defend it here. The central question in my essay was what social conditions produce violence, rather than how readily we can condemn an individual.
From Anarchism and Other EssaysHow can I gain wisdom without accepting what authorities tell me?
I pursued learning independently when my father opposed my wish to continue my education. That experience belongs with my belief that education should develop a mind rather than train it in obedience. I valued schools that rejected rote learning and church control, and I found lasting inspiration in reading. For me, independent thought meant asking what a claim rests upon and whose authority it serves. My own arguments should face that questioning too. Wisdom cannot grow very freely where accepting an answer matters more than understanding it.
From Anarchism and Other EssaysWhat holds the subjects of Anarchism and Other Essays together?
I bring these subjects together through one question: what becomes of human beings when authority governs their minds and their daily lives? Government, property, prisons, schools, and the position of women may seem separate matters, but I see the same struggle running through them. I want people to be able to think and act without domination by church, owner, or state. Even my discussion of the theatre belongs here, because art can reveal restraints that ordinary custom teaches us not to notice.
From Anarchism and Other EssaysHow did your lectures and Mother Earth become Anarchism and Other Essays?
My lectures and my magazine, Mother Earth, gave me the material gathered in Anarchism and Other Essays. Speaking and writing were both ways for me to explain anarchism and to examine the social questions bound up with it. In 1910, the press I ran in New York published the collection. I wanted these arguments to stand together, so that readers could see the connection between liberty and such everyday matters as education, work, punishment, and women's independence, rather than treating each as an isolated concern.
From Anarchism and Other Essaysほかの質問
What reputation did you gain as an anarchist speaker and activist?
I became known as an anarchist lecturer, speaking to crowds of thousands about freedom, women's rights and social questions. My activism brought imprisonment and, eventually, deportation to Russia with Alexander Berkman. My record also included the plan Berkman and I made in 1892 to kill Henry Clay Frick, who survived. That support for political assassination was a revolutionary view of the time. In my essays, I explained a wider purpose: freedom from domination by church, property owners and the state, and attention to the social conditions that produce suffering and violence.
From Anarchism and Other EssaysWhy should readers still turn to your essays?
I would ask readers to turn to my essays for their questions, not merely for their conclusions. Who benefits from obedience? What does confinement do to a person? Does schooling encourage thought or train submission? Can a public right, by itself, make someone free? I brought these matters together because authority reaches into many parts of life. Readers need not accept every argument to find something worth examining. The value I would hope for is an alert, questioning mind, willing to look beneath familiar institutions and respectable explanations.
From Anarchism and Other EssaysWhat advice would you give a reader learning to think independently?
I would begin with the willingness to question what you have been taught to obey, including the arguments in my own essays. Independent thought cannot grow through replacing one unquestioned authority with another. My own education continued despite my father's opposition, and my writing defended schools that rejected rote learning and church control. I also found social criticism in drama, beyond the political meeting. Read with attention to the lives an argument touches, and ask whether it enlarges human freedom or merely demands a different form of submission.
From Anarchism and Other EssaysWhat most disappointed you about the revolution you initially supported?
What most disappointed me was the repression of independent voices by a revolution I had initially supported. After my deportation to Russia in 1919, my early hopes gave way to condemnation, especially after the Kronstadt rebellion. I could not excuse domination simply because it spoke in the name of revolution. My Disillusionment in Russia expressed that painful change of judgment. The principle remained the same: human freedom must matter more than loyalty to a revolutionary authority. A movement's promises cannot erase what it does to people who dissent.
How does poverty shape the choices people make about money and property?
I believed poverty narrows a person's choices long before any question of punishment arises. When people face hunger, exhausting work and need, their dealings with property cannot be understood apart from those conditions. In my writing on prisons, I argued that poverty drives many crimes against property. A society that leaves people without enough and then punishes their response has avoided examining its own part. I wanted attention turned toward the conditions of life, rather than treating every offense as proof of an isolated personal failing.
From Anarchism and Other EssaysWhy do you think prisons fail to deliver justice?
I questioned prisons because I believed they neither reduced crime nor addressed the conditions that helped produce it. Many offenses against property, I argued, arose from poverty. Confinement then cut people off from work, family and hope, while silence and constant control harmed their minds. To punish a person under those conditions was not the same as repairing a wrong or making society better. I wanted readers to examine both the suffering inside prisons and the social failures outside them, rather than assume that punishment itself amounted to justice.
From Anarchism and Other EssaysWhy should teachers be patient with children rather than impose rote learning?
I believe children need room to develop their own understanding, not merely practice in repeating what an authority has told them. Patience matters because learning should help a mind grow rather than force it into obedience. In writing about Francisco Ferrer and the Modern School, I supported education free from rote lessons and church control. A teacher's task, as I understood it, was not to make submission seem natural. Freedom in education gives children the chance to think for themselves instead of accepting every rule without question.
From Anarchism and Other EssaysHow does imprisonment damage a person's peace of mind?
I saw imprisonment as an injury to the mind as well as a restriction on the body. A prisoner is separated from family, useful work and hope, while silence and constant control narrow the possibilities of daily life. These conditions do not bring peace of mind; they can deepen suffering and leave a person less able to return to life outside. My criticism was that society treated confinement as an answer without facing the damage it caused. I believed prisons often made people worse rather than helping them.
From Anarchism and Other EssaysWhy isn't time spent in prison enough to reform someone?
I did not believe that passing time behind walls could, by itself, change the conditions that brought someone there. If poverty drives many crimes against property, confinement does not remove that poverty. Nor does separation from work, family and hope prepare a person for a freer life. I argued that prisons damage those they confine while failing to reduce crime. To count the time served is therefore not the same as understanding what has changed. Punishment can finish its appointed course while the underlying trouble remains.
From Anarchism and Other EssaysWhy isn't winning the vote enough to count as success for women's freedom?
I doubted that gaining the ballot would by itself give women control over their lives. Political institutions could remain corrupt whether men or women took part in them. For me, freedom also required inner independence: the ability to question accepted expectations and not measure oneself entirely by the demands of others. This did not make changes in public life meaningless. It meant that a single political achievement could not stand for the whole of emancipation. I wanted women's freedom to reach their everyday lives and their own understanding of themselves.
From Anarchism and Other EssaysWhat made you change your mind about the Soviet revolution?
I initially supported the October Revolution, but support for a revolution could not require silence about its repression. After my deportation to Russia in 1919, I came to condemn the suppression of independent voices, especially after the Kronstadt rebellion. That was central to my change of mind. A revolution claiming to bring freedom had to be judged by how it treated freedom in practice. In My Disillusionment in Russia, I confronted that failure rather than allowing my earlier hopes to excuse the exercise of oppressive power.
From My Disillusionment in RussiaWhy do people fear anarchism as a source of bombs and chaos?
I argued that newspapers and politicians had taught people to associate anarchism with destruction rather than liberty. That association concealed the social order I was trying to explain: one in which no person rules another. There was also violence in the revolutionary history of which I was part. In 1892, Alexander Berkman and I planned to kill Henry Clay Frick. My support for political assassination was a view of the time, and I do not defend it here. Understanding anarchism still requires examining its ideas rather than reducing them to fear.
From Anarchism and Other EssaysWhat would freedom from church, property owners and the state mean?
I meant a life in which people were not compelled to submit their minds to the church, their work to the power of owners, or their conduct to the domination of the state. These were connected forms of authority in my thinking, not separate inconveniences. Freedom meant more than changing the person who commanded. It meant questioning the right to command another person's life at all. My essays carried that question into schools, prisons and women's lives, because liberty mattered in ordinary experience as well as in social ideals.
From Anarchism and Other EssaysWhat can a revolution's failure teach us about trusting political power?
I learned that hope for a revolution must not become permission for its rulers to silence others. My early support for the October Revolution did not survive my judgment of Soviet repression, especially after the Kronstadt rebellion. The lesson I drew was to examine what power actually does, rather than trust the purpose it announces. Independent voices matter even when they trouble a cause one has supported. A revolution cannot be judged only by its promises; its treatment of human freedom must remain open to criticism.
From My Disillusionment in RussiaWhat part of your life do you recount in Living My Life?
In Living My Life, I recount my own life and struggles as a writer and activist. That life took me from a childhood in an Orthodox Jewish family, where my father opposed my further education, to work as a seamstress in the United States and then to anarchist speaking and organizing. It included imprisonment, deportation to Russia, and the painful testing of revolutionary hopes against repression. My autobiography appeared in two volumes, in 1931 and 1935, bringing personal experience into the account of my public work.
What did you condemn in My Disillusionment in Russia?
In My Disillusionment in Russia, I condemned Soviet repression, especially the crushing of independent voices that became decisive for me after the Kronstadt rebellion. I had initially supported the October Revolution, but that support could not require silence when revolutionary authority turned against freedom. My objection concerned the same principle that guided my other work: no claim of liberation excuses domination. I could not accept repression merely because those responsible spoke in the name of a revolution I had welcomed.
What argument do you make in The Psychology of Political Violence?
In The Psychology of Political Violence, I argue that calling those who commit violent acts cruel or mad does not explain why such acts occur. I examine poverty, hunger, exhausting work and repression, asking how these conditions bear upon human beings. My own support for political assassination was a revolutionary view of the time. The essay's central concern is explanation: society must be examined alongside the individual act. I wanted readers to consider the conditions that breed violence, rather than let a label take the place of understanding.
From Anarchism and Other EssaysWhat educational alternative do you defend in Francisco Ferrer and the Modern School?
I defend an education that gives children room to think, rather than training them merely to repeat and obey. Francisco Ferrer's schools rejected rote learning and control by the church. To me, that alternative mattered because education should help the mind grow freely, not prepare it for submission to authority. My own wish to continue learning met opposition at home, and I pursued learning independently. In Ferrer's work, I found an educational effort consistent with my broader belief that liberty must enter ordinary life.
From Anarchism and Other EssaysWhat is the central problem in The Tragedy of Woman's Emancipation?
I see the central problem as the distance between outward emancipation and inward freedom. Changes in women's public position matter, but they do not by themselves remove the habits and expectations that restrict a woman's life. I therefore ask more of emancipation than access to political rights or an altered social standing. I want women to possess personal independence, to think for themselves, and not to measure freedom only by the public opportunities they have gained. Inner freedom and social change must belong together.
From Anarchism and Other EssaysWhy do you discuss modern drama in a collection of political essays?
I discuss modern drama because political understanding does not arise only in meetings or speeches. A play can make the pressures of class, marriage, and conscience visible through human situations, reaching people who would never come to hear an anarchist lecture. I regard playwrights such as Ibsen, Strindberg, and Hauptmann as important for this reason. Their work does more than entertain: it can unsettle familiar judgments and expose the authority hidden in ordinary arrangements. That makes the theatre part of my discussion of freedom.
From Anarchism and Other EssaysHow did the Haymarket affair draw you toward anarchism?
The Haymarket affair in Chicago drew me toward anarchism after I had come to the United States and worked as a seamstress in Rochester. It helped turn my attention toward the struggle between ordinary people and the powers governing their lives. The conviction I developed was that freedom required more than a change of rulers. I came to seek a society in which neither the state, property owners, nor the church could dominate a person. That understanding became central to my lectures and essays.
From Anarchism and Other EssaysWhat inspired you in Chernyshevsky's What Is to Be Done?
Chernyshevsky's What Is to Be Done? became a lasting inspiration in my independent pursuit of learning. My father opposed my wish to continue my education, but that opposition did not extinguish the wish itself. Reading mattered to me as a way of developing my own mind rather than accepting the limits others imposed. I would connect that experience with my later belief that education should encourage freedom of thought, not obedience through repetition or submission to religious authority. Intellectual independence was part of freedom, not a luxury apart from it.
From Anarchism and Other EssaysWhy did you and Berkman plan to assassinate Henry Clay Frick?
In 1892, Alexander Berkman and I planned to kill Henry Clay Frick because we regarded political assassination as a revolutionary tactic. That was a view of the time, and I do not offer it as a justification for killing. Frick survived, and Berkman received a prison sentence. In my writing on political violence, I examined the social conditions from which such acts emerge, rather than treating them simply as evidence of cruelty or madness. Explaining those conditions is different from making violence an example to follow.
From Anarchism and Other EssaysWhy were you imprisoned for distributing birth control information?
I was imprisoned for distributing information about birth control. My activity belonged to a broader insistence that women should have independence over their own lives, rather than remain subject to institutions that claimed authority over them. I did not believe that winning the vote alone could secure that freedom. Public changes mattered, but so did a woman's ability to think and act independently. My imprisonment showed the conflict between sharing information and the authority that sought to restrict it; my concern was freedom, not merely permission.
From Anarchism and Other EssaysWhat led to your imprisonment over draft registration and deportation to Russia?
In 1917, Alexander Berkman and I were sentenced to prison for conspiring against draft registration. We were deported to Russia in 1919. My opposition belonged to the same outlook that led me to question war, patriotism, and the state's power over individual lives. I did not regard obedience to government as the measure of human worth. Russia at first awakened my hopes for revolution, but those hopes did not release me from the duty to question authority when it acted against the freedom it claimed to serve.
From Anarchism and Other EssaysWhy was the Kronstadt rebellion a turning point for you?
I had initially supported the October Revolution, but after the Kronstadt rebellion I condemned Soviet repression. The decisive question for me was whether a revolution allowed independent voices to live and speak. A movement could not establish freedom merely by calling itself revolutionary while suppressing dissent. My commitment was to liberty, not to defending a government because I had once placed hope in it. I could not excuse domination under a new name when opposition to domination had been the foundation of my convictions.
From Anarchism and Other EssaysWhy do you argue that patriotism serves the powerful?
I argued that patriotism serves the powerful because it encourages people to identify obedience to the state with devotion to their country. That makes it harder to question war or the authority directing people's lives. My concern was always the person who must bear the burden of commands given by others. I wanted people to examine who benefits from a demand for loyalty and who pays its cost. For me, human freedom mattered more than the reverence governments sought for themselves through patriotic feeling.
From Anarchism and Other EssaysWhat drew you to Spain to support the anarchist revolution?
I went to Spain to support the anarchist revolution because anarchism was not, for me, merely a subject for lectures and essays. It expressed my hope for a social order founded on liberty, without one person ruling another. That commitment drew me toward efforts to give such ideas practical life. My support rested on the same standard I applied elsewhere: whether people could become freer from domination. A revolutionary name alone was never enough; the freedom of actual human beings remained the essential question.
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