Lady Chatterley's Loverの学習ガイド

Connie

Connie supports Clifford's writing, yet feels detached from people and her own life.

重要なchapters：2, 10, 18, 19

Clifford

Clifford depends on Connie, uses a wheelchair, and seeks praise for his stories. He turns toward industrial power, becomes intimately dependent on Mrs. Bolton, and refuses Connie a divorce.

重要なchapters：2, 9, 13, 19

Mellors

Mellors is the gamekeeper, protective of his solitude but drawn into tenderness with Connie. He becomes her lover despite fearing involvement, then works on a farm and writes about patience, money, and love.

重要なchapters：8, 10, 17, 19

Hilda

Hilda is Connie's sister and intervenes when Connie grows unwell. Although reluctant to help her meet Mellors, she later accompanies Connie to Wragby, advises departure, and travels with her to Scotland.

重要なchapters：7, 16, 19

Mrs. Bolton

Mrs. Bolton is a widowed parish nurse who takes over Clifford's care and encourages his interest in the mines. His dependence increases her power, while she also promises Connie discretion and help.

重要なchapters：7, 9, 11, 19

Michaelis

Connie later contrasts his sexuality with the fearless sensuality she finds in Mellors.

重要なchapters：3, 16

Bertha Coutts

Bertha Coutts is Mellors's estranged wife, whose accusations emerge through letters alongside news of his dismissal. His fear that she will interfere with divorce and his relationship with Connie shows their continuing conflict.

重要なchapters：10, 17, 18

Bodily tenderness

Connie's intellectual companionship with Clifford leaves her without physical closeness, while intimacy with Mellors brings tenderness. This contrast suggests that shared ideas do not replace bodily contact, and the tenderness surrounding her pregnancy shows intimacy becoming part of her choice of a life together.

登場する箇所：chapters 2, 10, 18

Class and power

Mrs. Bolton's mixture of class resentment and ambition shows that care can also involve struggles for position. Connie's challenge to Clifford and his later dependence on Mrs. Bolton suggest that authority remains vulnerable even when its holder grows harder in business.

登場する箇所：chapters 7, 13, 19

Intimacy and freedom

Mellors's resistance to sharing his secluded space suggests that intimacy can threaten a person's sense of freedom. Connie's wish to share his home, followed by Clifford's refusal of divorce, shows how the desire for closeness meets both private resistance and marital limits.

登場する箇所：chapters 8, 14, 19

Money and dependence

Arguments about escape, money, and parenthood show that the lovers cannot plan their future through feeling alone. Mellors's farm work and final reflections suggest that money creates a double pressure, shaping life both when people possess it and when they lack it.

登場する箇所：chapters 15, 19

Letters

Letters bring accusations and news of dismissal into Connie's separation from Mellors. His later letter works as a contrasting image of connection, carrying patience and love across that separation.

Chapters 17, 19

The chair

Clifford's chair makes his reliance on other people visible. When Connie challenges his authority and helps Mellors push it, the chair works as an image of the tension between power and dependence.

Chapters 2, 13

Hut access

Connie's request for access to the hut meets Mellors's resistance. The hut works as a boundary around solitude, suggesting that approaching another person also means negotiating what remains private.

Chapter 8

The narrator, Chapter 2. The narrator describes Connie and Clifford's marriage, where closeness coexists with physical distance. The contrast suggests that companionship can leave important needs unmet.

The narrator, Chapter 8. The narrator describes Mellors's resistance when Connie seeks access to his hut. His attachment to solitude suggests that intimacy can feel like a loss of freedom.

Clifford, Chapter 13. Clifford speaks during the chair breakdown, when Connie and Mellors help him.

Mellors, Chapter 19. Mellors writes this in his letter to Connie about waiting. The paired dangers of wealth and poverty suggest why love cannot escape material pressures.