Shakespeare på dagens engelsk
Antony and Cleopatra, Act 2, Scene 5
Shakespeares ord ved siden av en enkel versjon på dagens engelsk, replikk for replikk. Gratis å lese.
Enter Cleopatra, Charmian, Iras, Alexas.
Cleopatra, Charmian, Iras and Alexas enter.
Cleopatra
Give me some music—music, moody foodOf us that trade in love.
Give me some music—music, the food that feeds the moods of those of us who live for love.
All
The music, ho!
Music! Bring the music!
Enter Mardian, the eunuch.
Mardian, the eunuch, enters.
Cleopatra
Let it alone. Let’s to billiards. Come, Charmian.
Never mind. Let's play billiards. Come, Charmian.
Charmian
My arm is sore. Best play with Mardian.
My arm is sore. You'd better play with Mardian.
Cleopatra
As well a woman with an eunuch playedAs with a woman. Come, you’ll play with me, sir?
A woman might as well play with another woman as with a eunuch. Come, sir, will you play with me?
Mardian
As well as I can, madam.
As well as I can, madam.
Cleopatra
And when good will is showed, though’t come too short,The actor may plead pardon. I’ll none now.Give me mine angle; we’ll to the river. There,My music playing far off, I will betrayTawny-finned fishes. My bended hook shall pierceTheir slimy jaws, and as I draw them upI’ll think them every one an Antony,And say “Ah, ha! You’re caught.”
And when someone shows willingness, even if he falls short, he can ask to be forgiven for his performance. I won't play now. Give me my fishing rod. We'll go to the river. There, with my music playing in the distance, I'll lure in the brown-finned fish. My curved hook will pierce their slimy jaws, and as I pull them up, I'll imagine every one of them is Antony and say, “Aha! You're caught.”
Charmian
’Twas merry whenYou wagered on your angling; when your diverDid hang a salt fish on his hook, which heWith fervency drew up.
It was funny when you bet on your fishing, and your diver hung a salted fish on his hook, which he pulled up so eagerly.
Cleopatra
That time?—O times!—I laughed him out of patience; and that nightI laughed him into patience, and next morn,Ere the ninth hour, I drunk him to his bed,Then put my tires and mantles on him, whilstI wore his sword Philippan.
That time? Oh, those times! I teased him until he lost his temper, and that night I teased him back into a good mood. The next morning, before nine, I drank with him until he had to go to bed. Then I dressed him in my headdresses and robes while I wore the sword he carried at Philippi.
Enter Messenger.
A Messenger enters.
O! from Italy!Ram thou thy fruitful tidings in mine ears,That long time have been barren.
Oh! From Italy! Fill my ears with your rich news. They've gone without it for so long.
Messenger
Madam, madam—
Madam, madam—
Cleopatra
Antony’s dead! If thou say so, villain,Thou kill’st thy mistress. But well and free,If thou so yield him, there is gold, and hereMy bluest veins to kiss, a hand that kingsHave lipped, and trembled kissing.
Antony's dead! If you say that, you villain, you'll kill your mistress. But if you report that he's healthy and free, here's gold, and here is my hand, with its deep blue veins, for you to kiss—a hand that kings have kissed, trembling as they did.
Messenger
First, madam, he’s well.
First, madam, he's well.
Cleopatra
Why, there’s more gold.But sirrah, mark, we useTo say the dead are well. Bring it to that,The gold I give thee will I melt and pourDown thy ill-uttering throat.
Why, here's more gold. But listen, fellow: we sometimes say the dead are well. If that's what you mean, I'll melt the gold I give you and pour it down the throat that speaks such evil news.
Messenger
Good madam, hear me.
Please, madam, hear me out.
Cleopatra
Well, go to, I will.But there’s no goodness in thy face if AntonyBe free and healthful. So tart a favourTo trumpet such good tidings! If not well,Thou shouldst come like a Fury crowned with snakes,Not like a formal man.
All right, go on. I will. But there's nothing good in your face if Antony is free and healthy. Such a sour face to announce such good news! If he isn't well, you should come like a Fury crowned with snakes, not like an ordinary, proper man.
Messenger
Will’t please you hear me?
Will you please hear me out?
Cleopatra
I have a mind to strike thee ere thou speak’st.Yet if thou say Antony lives, is well,Or friends with Caesar, or not captive to him,I’ll set thee in a shower of gold and hailRich pearls upon thee.
I feel like hitting you before you speak. But if you say Antony lives, is well, is friends with Caesar, or isn't his prisoner, I'll shower you with gold and rain precious pearls on you.
Messenger
Madam, he’s well.
Madam, he's well.
Cleopatra
Well said.
Well said.
Messenger
And friends with Caesar.
And friends with Caesar.
Cleopatra
Th’ art an honest man.
You're an honest man.
Messenger
Caesar and he are greater friends than ever.
Caesar and he are closer friends than ever.
Cleopatra
Make thee a fortune from me.
I'll make your fortune.
Messenger
But yet, madam—
But still, madam—
Cleopatra
I do not like “But yet”, it does allayThe good precedence. Fie upon “But yet”!“But yet” is as a gaoler to bring forthSome monstrous malefactor. Prithee, friend,Pour out the pack of matter to mine ear,The good and bad together: he’s friends with Caesar,In state of health, thou say’st; and, thou say’st, free.
I don't like “But still.” It spoils the good news that came before it. Curse “But still”! “But still” is like a jailer bringing out some monstrous criminal. Please, friend, pour the whole bundle of news into my ears, good and bad together. He's friends with Caesar and in good health, you say; and, you say, free.
Messenger
Free, madam? No. I made no such report.He’s bound unto Octavia.
Free, madam? No. I never said that. He's bound to Octavia.
Cleopatra
For what good turn?
For what favor?
Messenger
For the best turn i’ th’ bed.
For the best favor a woman can give in bed.
Cleopatra
I am pale, Charmian.
I've gone pale, Charmian.
Messenger
Madam, he’s married to Octavia.
Madam, he's married to Octavia.
Cleopatra
The most infectious pestilence upon thee!
May the most contagious plague strike you!
Strikes him down.
She knocks him down.
Messenger
Good madam, patience.
Please, madam, be patient.
Cleopatra
What say you?
What did you say?
Strikes him again.
She hits him again.
Hence, horrible villain, or I’ll spurn thine eyesLike balls before me! I’ll unhair thy head!
Get out, you horrible villain, or I'll kick your eyes ahead of me like balls! I'll tear out your hair!
She hales him up and down.
She drags him back and forth.
Thou shalt be whipped with wire and stewed in brine,Smarting in ling’ring pickle.
You'll be whipped with wire and stewed in salt water, left soaking in stinging pain.
Messenger
Gracious madam,I that do bring the news made not the match.
Merciful madam, I bring the news; I didn't arrange the marriage.
Cleopatra
Say ’tis not so, a province I will give thee,And make thy fortunes proud. The blow thou hadstShall make thy peace for moving me to rage,And I will boot thee with what gift besideThy modesty can beg.
Say it isn't true, and I'll give you a province and make you rich and grand. The blow you received will settle your offense of making me angry. And I'll add whatever other gift you can modestly ask for.
Messenger
He’s married, madam.
He's married, madam.
Cleopatra
Rogue, thou hast lived too long.
You scoundrel, you've lived too long.
Draws a knife.
She draws a knife.
Messenger
Nay then I’ll run.What mean you, madam? I have made no fault.
Well, then I'll run. What are you doing, madam? I've done nothing wrong.
Exit.
He leaves.
Charmian
Good madam, keep yourself within yourself.The man is innocent.
Please, madam, control yourself. The man is innocent.
Cleopatra
Some innocents ’scape not the thunderbolt.Melt Egypt into Nile, and kindly creaturesTurn all to serpents! Call the slave again.Though I am mad, I will not bite him. Call!
Even innocent people sometimes get struck by lightning. Let Egypt melt into the Nile, and let all gentle creatures turn into snakes! Call the slave back. Though I'm mad, I won't bite him. Call him!
Charmian
He is afeard to come.
He's afraid to come.
Cleopatra
I will not hurt him.
I won't hurt him.
Exit Charmian.
Charmian leaves.
These hands do lack nobility that they strikeA meaner than myself, since I myselfHave given myself the cause.
These hands act without nobility when they strike someone of lower rank than me, since I've brought this on myself.
Enter the Messenger again with Charmian.
The Messenger returns with Charmian.
Come hither, sir.Though it be honest, it is never goodTo bring bad news. Give to a gracious messageAn host of tongues, but let ill tidings tellThemselves when they be felt.
Come here, sir. Though it may be honest, bringing bad news is never a good thing. Give good news a thousand voices, but let bad news announce itself when its effects are felt.
Messenger
I have done my duty.
I've done my duty.
Cleopatra
Is he married?I cannot hate thee worser than I doIf thou again say “Yes.”
Is he married? I can't hate you any more than I already do if you say “Yes” again.
Messenger
He’s married, madam.
He's married, madam.
Cleopatra
The gods confound thee! Dost thou hold there still!
May the gods destroy you! Are you still sticking to that?
Messenger
Should I lie, madam?
Should I lie, madam?
Cleopatra
O, I would thou didst,So half my Egypt were submerged and madeA cistern for scaled snakes! Go, get thee hence.Hadst thou Narcissus in thy face, to meThou wouldst appear most ugly. He is married?
Oh, I wish you did, even if half my Egypt were flooded and made into a pool for scaly snakes! Go, get out. Even if you had the face of Narcissus, you'd look hideous to me. He's married?
Messenger
I crave your highness’ pardon.
I beg your Highness's pardon.
Cleopatra
He is married?
He's married?
Messenger
Take no offence that I would not offend you.To punish me for what you make me doSeems much unequal. He’s married to Octavia.
Don't take offense; I don't want to offend you. It seems very unfair to punish me for what you make me do. He's married to Octavia.
Cleopatra
O, that his fault should make a knave of theeThat art not what thou’rt sure of! Get thee hence!The merchandise which thou hast brought from RomeAre all too dear for me. Lie they upon thy hand,And be undone by ’em!
Oh, to think his wrongdoing should make you seem a villain, when you aren't the man whose guilt you're sure of! Get out! The goods you've brought from Rome are far too costly for me. May they stay unsold on your hands and ruin you!
Exit Messenger.
The Messenger leaves.
Charmian
Good your highness, patience.
Please, your Highness, be patient.
Cleopatra
In praising Antony I have dispraised Caesar.
In praising Antony, I've spoken badly of Caesar.
Charmian
Many times, madam.
Many times, madam.
Cleopatra
I am paid for’t now.Lead me from hence;I faint. O Iras, Charmian! ’Tis no matter.Go to the fellow, good Alexas, bid himReport the feature of Octavia, her years,Her inclination; let him not leave outThe colour of her hair. Bring me word quickly.
Now I'm paying for it. Lead me away. I'm fainting. Oh, Iras, Charmian! It doesn't matter. Good Alexas, go to that man and ask him to describe Octavia's appearance, her age, and her temperament. Make sure he includes the color of her hair. Bring me word quickly.
Exit Alexas.
Alexas leaves.
Let him for ever go—let him not, Charmian.Though he be painted one way like a Gorgon,The other way ’s a Mars. [To Mardian] Bid you AlexasBring me word how tall she is. Pity me, Charmian,But do not speak to me. Lead me to my chamber.
Let him go forever—no, don't let him, Charmian. Though from one angle he looks like a Gorgon, from another he looks like Mars. [To Mardian] Tell Alexas to bring me word of how tall she is. Pity me, Charmian, but don't speak to me. Lead me to my room.
Exeunt.
They all leave.

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Act 3
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Is the modern version the whole text?
Yes. Every speech of the play is here in plain modern English, in the same order, beside Shakespeare's own words.


















