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Memoiren vom Hof Ludwigs XV. und XVI. — Vollständige Ausgabe, paperbackPaperback · 6 × 9 in · printing soon
Memoiren vom Hof Ludwigs XV. und XVI. — Vollständige Ausgabe, hardcoverHardcover · 6 × 9 in · printing soon
About this book

Behind Versailles’ grandeur, a maid watches power depend on private talk, daily habits and the fear of losing favour.

Memoirs of the Courts of Louis XV and XVI brings together Madame du Hausset’s account and memoirs bearing the name of the Princesse de Lamballe. As Madame de Pompadour’s personal attendant, du Hausset sees the private rooms where Louis XV and his favourite meet, talk and quarrel. Her view brings court life close, beyond its public grandeur.

The second set moves to Louis XVI’s court and Marie Antoinette’s friendship with the Princesse de Lamballe. Scholars doubt Lamballe’s authorship and generally treat these memoirs as another writer’s work. Read together, the accounts offer gossip, fear and favour: intimate details to weigh with care, rather than a settled record of a monarchy facing trouble.

What you’ll discover

  • A maid’s close view Enter private rooms through du Hausset’s observations of conversations, quarrels and the habits of court life.
  • The work behind favour See how Pompadour keeps her standing by remaining useful and present after romance fades.
  • A king in private Meet a quiet, guarded Louis XV who values routine, small talk and trusted company.
  • Beside the young queen Explore the Lamballe memoirs’ view of Marie Antoinette’s court, while keeping their disputed authorship in mind.
  • Gossip worth weighing Discover details official records leave out, while learning to question what intimate accounts can establish.

Is it for you?

This book suits readers who like the human side of history, with its rumours, rivalries and daily habits, and anyone curious about Versailles before the Revolution. It is less suited to those who want a tight chronology or settled facts.

What’s inside

The key ideas, in the 15-minute summary

  1. A maid watches the court from close
  2. Pompadour holds her place by hard work
  3. The king is bored, fearful and secretive
  4. Ministers, doctors and adventurers pass through
  5. The Lamballe memoirs shift to another reign
  6. Reading court gossip with care

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Biography & Letters

Memoiren vom Hof Ludwigs XV. und XVI. — Vollständige Ausgabe

by Madame du Hausset; Prinzessin von Lamballe

Two court memoirs describe private life around the French monarchy.

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Memoiren vom Hof Ludwigs XV. und XVI. — Vollständige Ausgabe by Madame du Hausset; Prinzessin von Lamballe, the cover

From the 15-minute summary · Key idea 1 of 6

A maid watches the court from close

Madame du Hausset served as femme de chambre, a personal attendant, to Madame de Pompadour. That post put her in the rooms where the king and his favourite met, talked and quarrelled. She was not a statesman or a courtier of rank, and she says little about grand policy. What she gives instead is the texture of a day in a powerful household.

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The author

Madame du Hausset

1713–1801 · French memoirist

Madame du Hausset (1713–1801) was a French memoirist. She lived in France and worked as a lady’s maid to Madame de Pompadour, the mistress of Louis XV. She wrote memoirs about her experience at the French court in the eighteenth century. Her memoirs were published after her death.

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Questions about Memoiren vom Hof Ludwigs XV. und XVI. — Vollständige Ausgabe

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What are the Memoirs of the Courts of Louis XV and XVI about?

They give glimpses of life at the French royal court in the eighteenth century. One part comes from a maid of Madame de Pompadour, and the other, under the name of the Princesse de Lamballe, deals with Marie Antoinette's circle.

Who was Madame du Hausset?

She was a lady's maid, or femme de chambre, in the household of Madame de Pompadour, the favourite of Louis XV. Her position let her see and hear much of the private life of the court at Versailles.

Did the Princesse de Lamballe really write her memoirs?

Most scholars doubt it. She died in 1792, and the memoirs appeared later under her name. They are usually thought to be by another writer, so they are best read as a sympathetic portrait rather than her own record.

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