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About this book

A locked door, a watchful guardian, and a barber who knows everyone’s business: love in Seville needs a clever accomplice.

Count Almaviva waits beneath a window in Seville, hoping to reach Rosine. She wants freedom and a husband of her own choosing, but Doctor Bartholo, her suspicious guardian, plans to marry her himself. The Count hides his rank behind the name Lindor: he wants Rosine to love him, not his title.

Enter Figaro, a barber, errand-runner, and former servant of the Count, ready to sell his talents. In Pierre Augustin Caron de Beaumarchais’s comedy, disguises and quick exchanges turn courtship into a contest of wits. From the opening street scene to the Count’s appearance as a rough soldier, each trick challenges Bartholo’s control.

What you’ll discover

  • A barber with answers Meet Figaro, whose knowledge of Seville makes him a useful ally in a difficult courtship.
  • Love behind a name Follow Almaviva as he conceals his title and seeks affection for himself.
  • A woman seeking choice Discover Rosine’s wish to choose her husband while her guardian makes his own plans.
  • Disguises at the door Enjoy the Count’s soldier disguise, stolen moments, and brisk exchanges that keep the action moving.
  • Sharp questions beneath laughter See how jokes about rank and guardianship expose the selfish use of power.

Who will love it

For anyone who enjoys quick comedy, clever servants and plots built on mistaken identity, and for opera lovers who want the source of the stories.

What’s inside

The key ideas, in the 15-minute summary

  1. A count waits under a window
  2. Figaro arrives and sells his talents
  3. A guardian who wants a bride
  4. Disguises, lessons and stolen moments
  5. What the comedy says about rank and love
  6. How the play is built and what it became

Who’s who

  • Count AlmavivaA young Spanish nobleman in love with Rosine, who hides his title behind the name Lindor because he wants to be loved for himself.
  • RosineThe lively young woman in Bartholo's care, who wants freedom and a husband of her own choosing.
  • Doctor BartholoRosine's suspicious guardian, who plans to marry her himself and watches her closely.
  • FigaroA quick-witted barber of Seville and former servant of the Count, who sells his help and enjoys outwitting people.
  • BasileRosine's music teacher, who is a scheming and flattering presence in Bartholo's household.

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5 h 40 min, complete, read by Lucas Linden.
15-minute summary
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Paperback
6 × 9 in. Printing soon: leave your email under Paperback or Hardcover above.
Hardcover
6 × 9 in. Printing soon: leave your email under Paperback or Hardcover above.
Large print paperback
8.5 × 11 in. Printing soon: leave your email under Paperback or Hardcover above.
Large print hardcover
8.5 × 11 in. Printing soon: leave your email under Paperback or Hardcover above.

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Poetry & Drama

Der Barbier von Sevilla

by Pierre Augustin Caron de Beaumarchais · 1775

A count hides his rank to win Rosine, while Figaro's schemes take on the guardian who wants to marry her himself.

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Der Barbier von Sevilla by Pierre Augustin Caron de Beaumarchais, the cover

From the 15-minute summary · Key idea 1 of 6

A count waits under a window

The play opens in a street in Seville, in front of the house of Doctor Bartholo. Count Almaviva, a young nobleman of Spain, waits there in the early morning. He hopes to catch sight of Rosine, the young woman he has come to love. He has followed her to the city, and he has not told her who he is.

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What is The Barber of Seville about?

It is a comedy in which a young Spanish count, hiding his rank, tries to win Rosine, who is kept under the control of her guardian Doctor Bartholo. The barber Figaro helps him with schemes and disguises.

Who is Figaro in The Barber of Seville?

Figaro is a barber and general fixer in Seville who once served Count Almaviva. He is clever, talkative and resourceful, and he drives much of the plot by arranging ways for the Count to reach Rosine.

Is The Barber of Seville the same as the opera?

No. Beaumarchais wrote the spoken play. Rossini's opera of the same name is based on it, as is the story of Mozart's The Marriage of Figaro, which comes from Beaumarchais's sequel.

The author

Pierre Augustin Caron de Beaumarchais

1732–1799 · French playwright

Pierre-Augustin Caron de Beaumarchais was a French playwright and diplomat. He was born in Paris in 1732 and died there in 1799. He also worked as a watchmaker. His plays include The Barber of Seville, first performed in 1775, and The Marriage of Figaro, first performed in 1784.

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