About this book
What stories lie behind the names Apollo, Circe, Arthur and Roland—and why do writers keep returning to them?
In Bulfinch's Mythology, Thomas Bulfinch brings gods, heroes and monsters within reach of readers who are not scholars. Greek and Roman legends lead you through love, pride and dangerous tests. Perseus faces the task of taking Medusa's head; in the myth, her gaze turns men to stone. The stories of Troy open another world of conflict.
The collection moves from classical tales to Norse and Eastern myth, then to Arthur's knights in The Age of Chivalry and the paladins of Charlemagne. Bulfinch keeps each tale short enough to enjoy on its own. Along the way, lines of poetry show how these old stories live within English literature, giving familiar names a richer meaning.
What you’ll discover
- Gods with familiar names Meet the Greek and Roman gods whose names echo through poetry and art.
- Love that changes shape Discover tales such as Apollo and Daphne, where love and transformation meet.
- Heroes against monsters Follow Perseus toward Medusa and explore the dangerous tests that shape heroic legends.
- The world of chivalry Enter the stories of King Arthur's knights and the paladins of Charlemagne.
- A key to literature Find the stories behind allusions that might otherwise leave you puzzled.
Is it for you?
This book suits curious readers who want a clear guide to the stories behind art, poetry and everyday speech, and parents or teachers who need tales to share aloud. Scholars seeking ancient sources or modern research will find it too light.
What’s inside
The key ideas, in the 15-minute summary
- Myths are a key to literature
- The gods of Olympus rule by family
- Humans begin with gift and trouble
- Love changes shape in the myths
- Pride in the myths meets punishment
- Heroes face monsters and tests
- Troy and its aftermath
- Norse and Eastern gods widen the map
- Knights, Arthur and Charlemagne
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- Hardcover
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- Large print paperback
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- Large print hardcover
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La Mythologie de Bulfinch
Gods, heroes and knights face love, conflict and danger.
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Language: Français
From the 15-minute summary · Key idea 1 of 9
Myths are a key to literature
Bulfinch begins with a plain claim. Without a knowledge of mythology, much of the best writing in English cannot be understood. Poets from Milton to Keats lean on these stories, and so do painters and sculptors. A reader who meets a mention of Narcissus or the Furies and does not know the tale loses a layer of meaning.
He was an amateur in the good sense of the word. He earned his living as a clerk at a bank in Boston and studied the classics in his spare time. He did not try to add anything new to scholarship. His aim was to be a clear and honest guide for people who had never studied Latin or Greek.
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Questions about La Mythologie de Bulfinch
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What is Bulfinch's Mythology about?
It retells the myths of Greece and Rome, adds a section on Norse and Eastern belief, and then tells the legends of King Arthur and Charlemagne. It is meant as a guide for general readers.
Who was Thomas Bulfinch?
Bulfinch was a Boston bank clerk and amateur classicist who died in 1867. He wrote the three parts of this work in the 1850s and 1860s to help readers understand the myths found in literature.
What are the three parts of Bulfinch's Mythology?
They are The Age of Fable, on Greek, Roman, Norse and some Eastern myth, The Age of Chivalry, on King Arthur and his knights, and The Legends of Charlemagne, on the heroes of medieval romance.
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