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About this book

What if a critic offers more than a verdict—and teaches you to see books, art and society differently?

In A Critic in Pall Mall, Oscar Wilde turns the working critic’s eye on books, painting, manners and fashion. These short reviews and pieces of journalism come from London periodicals of the 1880s. Here is Wilde before the great plays, writing to a deadline while asking what beauty, honesty and taste demand.

The collection explores criticism as an art, the power of style, art’s independence from moral lessons, and wit as a way of seeing society. Wilde refuses to let a worthy subject excuse clumsy prose. Nor does he accept that art must be useful or respectable. His light touch gives questions of taste a sharp edge.

What you’ll discover

  • The critic as artist Discover why Wilde treats a review as a craft, not merely a summary and verdict.
  • Style earns its place Consider how fine form can lift a slight subject, while worthy themes cannot rescue clumsy prose.
  • Art beyond the sermon Explore Wilde’s resistance to judging art by its usefulness, moral lessons or respectability.
  • Manners under a sharp eye Follow his humour through dress, fashion and the habits that reveal vanity and false seriousness.
  • A few pages at a time Meet Wilde’s thinking in short pieces that invite you to examine your own taste.

Who will love it

Readers who love sharp literary opinion, Victorian poetry and theatre, and the pleasure of an elegant joke. It suits anyone curious about how Wilde thought about books, style, beauty and the public.

What’s inside

The key ideas, in the 15-minute summary

  1. Keats and the cult of beauty
  2. Scenery, costume and the stage
  3. Poets old and new, judged with wit
  4. Translators, novelists and the Russian masters
  5. Pater, style and the art of criticism
  6. Chuang Tzu and the pleasures of mischief
  7. Women writers, letters and memoirs
  8. Art, craft and the history of things
  9. Sayings, and what the book leaves behind

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Philosophy & Ideas

Un crítico en Pall Mall

by Oscar Wilde · 1919

Oscar Wilde reviews Keats, Morris, Pater and Yeats in short pieces that sparkle with opinion and jokes.

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In short

A Critic in Pall Mall gathers the book reviews, essays and short notes that Oscar Wilde wrote for London papers and magazines in the 1880s and early 1890s. They first ran in the Pall Mall Gazette, the Dramatic Review, Woman's World, the Speaker and other journals.

Un crítico en Pall Mall by Oscar Wilde, the cover

From the 15-minute summary · Key idea 1

Keats and the cult of beauty

The book opens with Wilde in Rome, standing at the grave of John Keats beside the pyramid of Caius Cestius. He describes the Old Protestant Cemetery as a sunny green slope, and the plain stone with its words about a name written in water. He recalls that Keats once said he felt the flowers growing over him, and he sets this humble grave against the grand tombs of popes and emperors elsewhere in the city.

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What is A Critic in Pall Mall about?

It collects Oscar Wilde's reviews and short essays from London papers. He writes about poets, novelists, translators, plays, biographies, cooking and conversation, and he shows his views on style, beauty and criticism through humor.

Who does Oscar Wilde review in this book?

He reviews Keats, William Morris, Walter Pater, Swinburne, W. B. Yeats, Henley, George Sand, Balzac, Dostoevsky, Whitman and many others. He also reviews books on lace, marriage, folk songs and the Chinese sage Chuang Tzu.

When were the pieces in A Critic in Pall Mall written?

They were written between 1877 and 1890. Most appeared in London papers and magazines such as the Pall Mall Gazette, the Dramatic Review, Woman's World and the Speaker, before being gathered into one volume.

The author

Oscar Wilde

1854–1900 · Irish playwright and poet

Oscar Wilde (1854–1900) was an Irish poet, playwright, and novelist born in Dublin. He lived in London and later in France, where he died in Paris. He published The Picture of Dorian Gray in 1890. His play The Importance of Being Earnest was first performed in 1895.

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