The Library
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El conventillo, the cover of this edition

Resumen

Resumen de El conventillo

10 min de lectura11 min de audio9 ideas clave
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Para quién es

For readers who love Zola, Dickens and Latin American fiction, and anyone curious about Brazil's history of slavery and class.

De qué trata este libro

The Slum is a Brazilian novel by Aluísio Azevedo, published in 1890 under the title O Cortiço. A cortiço is a crowded block of cheap rooms and shacks around a shared yard, and this one stands in Rio de Janeiro in the years before slavery ended. Azevedo wrote it as a naturalist, in the manner of French writers such as Émile Zola. He believed that people are shaped by their surroundings, their bodies and their money.

The book has no single hero. Its centre is a place, and around it move a greedy Portuguese immigrant, his rich neighbour, a freedwoman, laborers, washerwomen, a seductive dancer and a young girl about to marry. Azevedo shows how a slum is built, how it feeds on its people, and how a few of them climb out on the backs of the others. He also writes about heat, food, music and desire with a frankness that shocked some readers of his day.

In about fifteen minutes you will hear the shape of the whole story, up to its last pages, and learn what the book says about Brazil. You will meet the main figures, see how the slum grows, and learn how to read its famous animal imagery. We begin with a man who owns almost nothing and wants everything, João Romão.

En este resumen

  1. 1João Romão starts with nothing but hungerFree
  2. 2Bertoleza's savings become Romão's gain
  3. 3Miranda next door envies and fears Romão
  4. 4The cortiço wakes up and fills with life
  5. 5Jerônimo arrives and works as a decent man
  6. 6Rita Baiana draws him toward a new life
  7. 7Pombinha, Léonie and the price of respectability
  8. 8What the novel says about people and place
  9. 9How Azevedo tells it: the slum as a living creature

Idea clave 1 de 9

João Romão starts with nothing but hunger

The story opens with João Romão, a Portuguese immigrant who came to Rio as a young man and worked for a tavern keeper. When his employer returned to Portugal, he left Romão the business and some money in payment of wages owed. Romão has one aim, which is to get rich, and he lets nothing stand in his way.

He runs a tavern, or venda, and a small shop. He saves every coin, eats badly, sleeps beside his counter and waters down what he sells. He cheats his customers with false weights and sharp talk, and he pays his helpers almost nothing. Azevedo shows a man who treats his own body as a tool for making money.

Romão also steals in small ways. He takes building materials from the lot beside his shop, picks up scraps from nearby sites and slowly gathers stone and timber. He buys a quarry cheaply and has workers cut stone from it for sale. Each small gain becomes the base of the next one.

Next to his tavern he begins to build rows of tiny rooms, which he rents to poor people who have nowhere else to go. He builds them cheap and fast, with little thought for light, air or water. The place is called the Estalagem of São Romão, but everyone calls it the cortiço.

This opening sets the rule of the whole book. Money grows from the labor and misery of people who cannot say no. Romão does not see himself as cruel, only as sensible, and that is what makes him frightening.

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Questions about El conventillo

What is The Slum by Aluísio Azevedo about?

It is about a crowded tenement in Rio de Janeiro and the people who live there. It follows the rise of its greedy owner, João Romão, and shows how money, heat and desire shape the lives of his tenants and neighbors.

What does cortiço mean?

Cortiço is the Portuguese word for a beehive, and in Brazil it came to mean a crowded slum or tenement of cheap rooms around a yard. Azevedo uses the image of a hive to show a community that lives and swarms together.

When was The Slum written and is it a true story?

It was published in 1890, after slavery ended in Brazil in 1888, though the story is set earlier. The characters are invented, but the novel is based on Azevedo's close observation of real tenement life in Rio.

Is The Slum a naturalist novel?

Yes. It belongs to the naturalist school, influenced by Émile Zola. It treats people as shaped by environment, heredity and economics, and it describes poverty, sex and violence with plain detail instead of softening them.

Is The Slum hard to read?

No. The story is easy to follow because it opens with one clear figure, João Romão, a man who wants to get rich, and then lets you meet the neighbors one household at a time. Each short part tells a simple, vivid scene.